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Impossible Objects asks what remains when objects—and people—are pushed past functionality
they move beautifully and make a statement without being heavy
and reconstruct not just human bodies
This finely woven wool rug retains its original Shiprock Trading Post tag — one of the most respected dealers of authentic Navajo textiles in New Mexico — confirming its authenticity and adding collectible value
began to be produced in Japan during the Azuchi-Momoyama period (1573-1600)
"What Remains: Woman, No. 4" No. 7" Impossible Objects asks what remainsWhat Remains: Woman, No. 4 Archival paper, pen and glue 11" x 17" Part of the ongoing series Women as Objects: What Remains One of a kind, signed and titled. Arrives unframed. Women as Objects: What Remains Across centuries and cultures, a woman's body has been dressed as a social contract. Her clothing announced her availability, her marital status, her husband's wealth and lineage. Elaborate lacework, heavy metalwork, layered textiles worn not as
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